2022

CERAMICS ART LONDON On Air Exhibition with Smogware 7-11th April London Central St Martin’s London

The Great Pause needs to lead to The Great Realisation

Without a drastic global change in the next 9 years, our achievements will become futile if we can no longer sustain the most basic of our human needs. I believe one of the ways to enter the new conceptual age, in which we live more symbiotically with the natural world, is to return to the mythopoetry of the past; the ancient stories and practices in which we were merely a speck in a cosmos we did not attempt to control.

Currently creating a series of 'Blueprints for the future' in cyanotypes as well as smaller sculptures in pollution absorbing NOXTEK, as well as public art, I bring together my background as physicist, artist, public speaker and innovator, to address diminishing air quality and biodiversity in an increasingly technological, Anthropogenic world.

Breathe

Imagine a material which can clean the air of the very nitrogen dioxide (NOx) pollutant gas which

The Ethics of Progress- A blueprint for the future

Progress is seductive but without empathy, compassion and a framework for ethical decisions, ‘

Apocalypse

Throughout the history of civilization, the concept of the apocalypse has been ever present. The

Dystopia

'The real problem of humanity is the following: we have paleolithic emotions; medieval

Public Art and Projects

Anthropocene

Arguably we have entered a new era in Earth’s physical history; that of the Anthropocene or ‘ new

Biomimicry

Biomimicry is an approach to innovation that seeks sustainable solutions to human challenges by

Entanglement

Quantum entanglement is one of the central principles of quantum physics. During Quantum

Cymatics Paintings 2005-2009

"In the living as well as non-living parts of nature, the trained eye encounters wide-spread

‘I do not have time for this: the man with the movie camera lied. Mechanisation of respiration has not given us leave to breathe freely. Instead it has devalued and made less intimate the craft with which we fill our lungs. I have time for this: inhalation and meditation upon the fragrances that hang as a heady perfume in the frenetic city. The grease, the oil, the fumes that toxify cut through by a lightness that demands to be waited upon. It is [is it?] telling that the opposite to this idiom is expressed through inhalation: stop and smell the flowers. I demand that time.’

An excerpt from 'On the location of breath' By writer and curator Richard Hore